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Definitions of nearly terms used by Shelley and Wileman including Backstamps – Also referred to as trademarks, the company name and symbol stamps refers to patterns or shapes which haven’t been identified or verified to date.

The pattern name if there was one, was placed on top or inside the backstamp. Sometimes the TCW was used or replaced by a pattern name or if the pattern didn’t have a Name it was left blank. In the backstamp changed again, all references to the Crown China works had ceased, and the Bone China theme was taken up. On these Backstamps the word “Bone” was swapped for the word “Crown”. Some Patterns kept the same backstamp and only the words “Crown” and “Bone” were changed. Nile Street closes on 15th April with workers leaving the historic plant for the last time and production of the Royal Doulton, Minton and Royal Albert brands transferred to factories of the Waterford Wedgwood group.

Doulton announce the closure of its last remaining UK factory at Nile Street from mid, with the loss of approximately jobs. Backstamp – EST to But the Registration number dates to , A pattern was not always registered prior to it’s release.

Identify Antique China Patterns

Wileman , and a variety of backstamps were used over the years. In Wileman began earthenware production in a new earthenware works. Wares produced in the new works were labelled with unique backstamps. Beginning in , the Shelley backstamp replaced Wileman and Co. Backstamps are often the first thing a collector looks for.

Although a backstamp may be an indicator of authenticity, the backstamp alone is insufficient to guarantee genuineness.

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The first Shelley to join the company was Joseph Ball Shelley in and in his son Percy Shelley became the sole proprietor, after which it remained a Shelley family business until when it was taken over by Allied English Potteries. Its china and earthenware products were many and varied although the major output was table ware. Wileman refers to a backstamped version of which predates Shelley-branded porcelain. The factory that manufactured this brand of porcelain was located in Longton, Staffordshire , England.

The origins of Shelley pottery were in the district known as Foley in the potteries. By the beginning of the nineteenth century, although the district was relatively poor, the manufacture of earthenware was being developed and a number of pottery companies had been established. One of these was the factory of Messrs. Three years later Knight retired and Henry Wileman continued the business in his own name.

In Henry Wileman employed Joseph Shelley [link] whose family had at one time produced pottery on the site now occupied by the Gladstone Museum[link] as a travelling salesman. Two years later the business was split, James managed the earthenware factory whilst Charles managed the china factory.

Shelley Marks & Collectible Shelley China

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IT HAS THE SHELLEY BACKSTAMP AND THE PATTERN NUMBER THE PICTURES DOES NOT GIVE THE VASE JUSTICE AS IT.

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Shelley China

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The Foley factory was let to a partnership which included John King Knight who eventually became the sole owner in The intention was to develop the Foley China side of the Wileman business, with an emphasis on developing export markets. The industrial revolution meant that transport and international trade was now much easier than ever and Wileman and Shelley were quick to understand the opportunity this presented.

Frederick Rhead was recruited in He was appointed Art Director and produced some of the most innovative and creative work that ever came out of the Foley Works. Frederick Rhead is most famous for the Intarsio and Urbato ranges, but he also contributed to many of the patterns used for Shelley table wares of the same period.

Dainty White was popular from its introduction in right up to the close of the works in

Tea Cup Back Stamps

Click on the image thumbnail for an enlarged view ; click again to return to normal view. The tabs below may be used to navigate to the various alphabetical sections in the Glossary. Please note that not all letters of the alphabet have an entry in the glossary. Shapes were typically ash trays, mugs and jugs, but some shapes were produced for advertising only and not for any other use. Afternoon set – Set of china composed of two afternoon teacups and saucers, one sugar basin, one cream jug, one pint-sized teapot and either an oval tray or two each four-inch plates.

Alternate – Term used in Shelley database referring to alternating panels of color and a different color or pattern, typically on Queen Anne , Dainty and less often Ludlow shapes.

North Staffordshire Pottery Marks. Wileman and Co c Renamed to Shelley Potteries Ltd Renamed Shelley China Ltd in Description & date.

Although chintz ceramics have been produced since the 17 th century, most American collectors are looking for the English chintz pottery produced from the s until the late s by factories like Grimwade’s Royal Winton , James Kent, Elijah Cotton Lord Nelson and A. Richardson Crown Ducal. In three books were published almost simultaneously in Canada, in the United States and in England and collecting became frenzied.

Inevitably, the factories were approached to reproduce chintz and both Royal Winton and James Kent started to reproduce their old patterns and shapes in It can be difficult for new collectors or occasional chintz dealers to buy chintz with confidence — especially on the Internet auction sites. The first piece of so-called new Royal Winton was a limited edition Florence vase in a new shape, carefully marked and numbered. Winton also produced a Julia stacking teapot and Nita wall pockets in Julia, Florence and Summertime for the Old Chintz Company; the backstamp on these pieces is very similar to the vintage backstamp except for the limited edition.

Since Winton never made limited editions prior to anything with limited edition in the backstamp is definitely new.


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